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The decision to continuously modify the house was not a simple architectural whim but a financial safety valve of sorts. As long as construction continued, Sarah employed a small army of carpenters, architects, and craftsmen. This effectively functioned as a guarantee against economic downturns, ensuring that her capital remained within the tangible asset of the house itself. It is this relentless addition of rooms and corridors that resulted in the labyrinthine floor plan we see today, where staircases lead to ceilings and doors open into walls. The house became less of a residence and more of a physical manifestation of grief and wealth, a concrete archive of a life dedicated to a singular, obsessive purpose.
