The latter half of the 2000s and the 2010s saw Watts take on a mix of indie darlings and big-budget spectacles. She starred in the harrowing earthquake survival film *The Impossible* (2012), a performance that earned her a Golden Globe nomination and solidified her status as a dramatic force. Around the same time, she joined the global phenomenon *The Ring*, a Hollywood remake that grossed over $240 million worldwide. These projects significantly boosted her earning power. However, Watts has always balanced commercial work with personal passion projects. Her narration in the documentary *The Russian Woodpecker* and her producing role on the acclaimed series *When They See Us* demonstrate a commitment to storytelling that extends beyond acting. This dual approachappealing to studios for paychecks while curating a slate of meaningful independent workhas been key to her financial stability.
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The primary driver of Thor's immense value is his central role in the Marvel Cinematic Universe (MCU). Portrayed by Chris Hemsworth, the character has been a cornerstone of Marvel Studios since the franchise's inception. He headlined or appeared in numerous blockbuster films, including the core *Thor* trilogy and the ensemble-driven *Avengers* saga. The financial performance of these films is staggering. *Avengers: Endgame*, featuring Thor as a key member of the team, grossed over $2.798 billion worldwide, making it one of the highest-grossing films of all time. *Avengers: Infinity War* also surpassed $2 billion. While individual Thor films like *Thor: Ragnarok* and *Thor: Love and Thunder* had varying critical receptions, they were both significant financial successes, earning over $854 million and $760 million respectively. The cumulative box office revenue from Thor's appearances across more than two dozen films provides an astronomical foundation for his net worth, generating billions in ticket sales globally.
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Romeros financial story begins not in a Hollywood studio, but in the humble confines of a Pennsylvania lounge. With a grant from the National Endowment for the Humanities and a camcorder borrowed from his day job, Romero, along with a cast of friends and local actors, created Night of the Living Dead in 1968. The film, shot in a rural farmhouse outside Pittsburgh on a shoestring budget estimated at around $114,000, became a cultural touchstone. Its revolutionary depiction of zombies as flesh-eating ghouls, born from a consumerist nightmare, was a critical and, more importantly, a financial success. The film grossed over $30 million at the domestic box office on its original release, a monumental sum for a film made for pocket change. Yet, Romero saw little of this fortune. Bound by a messy distribution deal, the filmmaker famously did not own the rights to his seminal work. This early lesson in the business of horror was a bitter one, teaching him that creating a landmark film was not the same as creating lasting wealth.
