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Her follow-up with Spielberg, the 1988 film *Willow*, further showcased her versatility. While a fantasy epic, the film was underpinned by a classic heros journey, a narrative she handled with the same grace and emotional intelligence as her more intimate work. She wasn't content to rest on her laurels, however. Mathison proved her range by penning the screenplay for the 1993 film *The Indian in the Cupboard*. Based on a beloved childrens novel, she once again demonstrated a rare ability to capture the gritty reality of childhood while weaving in threads of magic and consequence. Her scripts were never just about plot; they were about character, about the smallest moments that hold the greatest meaning, and about the ethical weight of our choices.
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