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Her success on radio was a springboard into the more lucrative world of film. Signing with Paramount Pictures in 1945, Albright transitioned from voice to image, though her voice remained her most potent asset. Her film career, while not as prolific as some of her contemporaries, was highlighted by memorable performances. Films like "The Great Sinner" (1949) and "The Girl Who Had Everything" (1953) showcased her dramatic abilities, but it was her role as the singer in the film noir classic "Chalk One Up" (1949) that became particularly notable. Her sultry rendition of "Sunday" in that film cemented her image as a femme fatale and a jazz singer of considerable talent. The paychecks from these film roles would have significantly boosted her net worth, providing her with the capital and influence to negotiate better contracts. In an era when actresses were often typecast, Albright carved a niche for herself, commanding respectable fees for her work.
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