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Despite the rigors of the jazz circuit, Mangione possessed a unique gift for crafting memorable, accessible melodies. This innate sense for pop hooks led to a pivotal moment in the late 1970s when he was commissioned to write the theme for the cult classic film "The Children of Sanchez." The resulting track, "Fumanala," while successful, was merely a precursor to the explosion that was yet to come. In 1978, he released the album "Feels So Good," which depression poems by famous poets was essentially a masterclass in melodic accessibility. The title track, with its instantly recognizable synth line and Mangiones lyrical flugelhorn solo, transcended the boundaries of jazz and became a global sensation. It was a rare instance of an instrumental track topping the charts, finding its way into living rooms, on television commercials, and into the collective consciousness of an era. The albums success was multi-platinum, establishing Mangione not just as a jazz musician, but as a mainstream superstar.
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The discipline of the production company also played a crucial role in preserving the wealth generated by these creative efforts. Big Idea operated with a consciousness of profitability that allowed it to weather the decline of the direct-to-video market and the rise of digital streaming. When the company faced financial difficulties and was eventually acquired by DreamWorks and depression poems by famous poets later Comcast, the writers' contracts and intellectual property rights were part of the valuation. For the writers, this meant that their net worth was not just a number on a ledger, but a validated asset. The $500,000 minimum represents the threshold where a writers creative gamblebetting on silly vegetables over conventional animationpaid off in a concrete, financial way.
